There aren’t many historical
romances around set in 1903 so when I got the chance at an early copy of this
book (which is now out), I jumped at the chance. Louisa Stratton is the heiress of the title. Her parents died when she was a child and she
was raised by her Aunt Grace – a cold woman whose motives are murky – even when
Grace is being kind, she is more cruel than anything. After inheriting her fortune at age 25, Louisa
escapes with her maid, Kathleen, to the continent, to get away from her awful
family. After a “indiscretion” with a
local landowner at age 17, Louisa’s activities have been much curtailed and
she’s been a virtual prisoner at the family estate, Rosemont. A year after her “escape”, she discovers
some oddities in her finances and receives reports that her aunt is very
ill. Against her own desires, she
decides she needs to go home for Christmas and check on things. There is a problem though. To stop Aunt Grace from fussing, Louisa has
told her family she has met and married one Maximillian Norwich – a man whose
perfection is only eclipsed by the fact that he doesn’t exist.
Mrs. Evensong, a rather
mysterious woman who runs an employment agency and seems to have a knack for
solving problems and matchmaking, locates Captain Charles Cooper, a man
suffering from PTSD after serving in the Boer War in Africa, to play the part
of Max for a month. In pretending to be
married, Louisa and Charles find opportunities for indiscretions of their own
and along the way, they fall in love.
Louisa is flighty, she talks all
the time, she loves driving her motor car (albeit that she does it very badly)
and she is also an early adopter of feminism and the suffragist cause. She makes for quite a delightful heroine. Charles/Max came from very humble beginnings
but was elevated by the factory owner who employed the rest of his family and
sent to Harrow and thence to the Army as an officer. Charles’ experiences in the War are touched
upon and I would have liked to have this more fully expanded actually. But those aspects of the story are very
serious and sad and don’t really fit well with the light-heartedness that is
Louisa and the rest of the book.
I did love the early 1900s
setting and those bits for me were the best part of the book. The rise of the motorcar, early suffragettes,
women working and the way Louisa wasn’t at all class conscious. Louisa and Charles were fun together too and
I very much liked how Louisa was frank in her desire for Charles and not at all
shy to take the lead in intimacy.
Ultimately, I think the book tried to be too many things – a mystery,
the farcical aspects of Louisa and Charles’ deception and relationship, the
seriousness of Charles’ PTSD, the complicated relationship between Louisa and
her family and the book felt a little disjointed for me. Louisa is a delightful character however and
I was happy to see her well settled with Charles at the end – and surrounded by
people who love listening to her talk!
Grade: C+
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