Why fade to black doesn't work for me. Except when it does.

I finished Susanna Kearsley's The Shadowy Horses a few days ago and I started thinking about "fade to black" or "bedroom door closed" books.  As a generality, I prefer my fictional bedroom doors wide open and the lights left on.  But I started to wonder why that was - and why some books which do fade to black work really well for me.  And here's what I came up with.

I think there are two aspects at play during a sex scene in a romance (as opposed to erotica) - there is (often) something physically arousing about it and there is something I'm going to call, emotionally arousing.  I can't say I'm immune to the physical "symptoms" of a well written sex scene but for me, the bigger payoff is in the emotionality.  I think very often the sex scene creates a "shortcut" to the emotional arousal I'm seeking - the heightened emotions which are often present being key here.

Fade to black books, with only kisses (and few kisses) do not usually give me the emotional arousal I'm seeking when reading romance.  What causes this emotional arousal?  Well, it can be kissing or handholding, the hand on the small of her back as they walk, her hand in his (or his in his for that matter).  It might be internal dialogue or conversation (conversation is the better of the two) where the couple's emotional connection resonates (“When the day shall come that we do part," he said softly, and turned to look at me, "if my last words are not ‘I love you’-ye’ll ken it was because I didna have time.”  Jamie to Claire in The Fiery Cross - although The Fiery Cross is in no way a fade to black book of course.).  In a sex scene it can be the desperation of one to physically connect to the other, the primal claiming of "mine", a more tender or reverent loving after a crisis perhaps, the delight one partner takes in the body of the other, the care taken in ensuring his/her satisfaction - the physical display of the emotional connection.  

April Reads

on Paper/eBook

Frat Boy and Toppy by Anne Tenino - B- Brad Feller is a college student on a fraternity and athletic scholarship who, at the beginning of the book, realises there's no hiding from himself anymore - he's gay.  Sebastian is a TA for one of Brad's history classes and after Brad buys a paper online to get his attention, they start a relationship.  I found the second half of the book much more enjoyable than the first.  I was really struggling to get through the first half, but persisted because Sarah at DA liked it so much.  I didn't really get the humour in the first part of the book and I did not like the phrase "the nail in the coffin" which Brad's dad used when he was giving an example of why he thought Brad was gay - that seemed very negative to me.   Some of the phrasing confused me and I had to read over it a few times to work out what was being said and that threw me out of the story at times.  It's a fairly gentle story with not a lot of conflict - Brad's coming out is fairly easy from what I could see in the book and any struggle he may have had with being gay had been resolved before the book started.

However, thes scenes when Brad came out to his friend Kyle and later, to the frat itself, were very funny and the sex was definitely hot.  It's a short book - only 165 pages but it retailed at $6.99 which I thought was pretty pricey.  Between that and the title, I don't think I would have picked it up at all if not for Sarah's recommendation. It was one of those rare books where her tastes and mine didn't quite mesh - go figure.    Am I sorry?  Well, no.  But, I wish I'd managed to buy it on special somewhere.

Marathon Cowboys by Sarah Black First off, I really like this cover. Did I like the book though?  Well, I did. But.  

Somebody to Love by Kristan Higgins

Why I read it:  I picked up a copy from NetGalley and I'm a fan of this author.

What it's about:  (blurb from Goodreads) After her father loses the family fortune in an insider-trading scheme, single mom Parker Welles is faced with some hard decisions. First order of business: go to Gideon's Cove, Maine, to sell the only thing she now owns—a decrepit house in need of some serious flipping. When her father's wingman, James Cahill, asks to go with her, she's not thrilled -- …even if he is fairly gorgeous and knows his way around a toolbox.

 

Having to fend for herself financially for the first time in her life, Parker signs on as a florist's assistant and starts to find out who she really is. Maybe James isn't the glib lawyer she always thought he was. And maybe the house isn't the only thing that needs a little TLC.

 

What worked for me (and what didn't):  First off, this is the second book Ms. Higgins has written in 3rd person POV and once again, we get (a lot - yay!) of the hero's POV in this story.  As much as I have enjoyed her 1st person POV books (well, mostly), my continuing "complaint" was that there was not enough of the hero for me.  I'm a very hero-centric reader I have discovered.  More hero, in general, equals more win for me.  I hope that Ms. Higgins decides to stick with 3rd person and giving us the hero's perspective because I just love it.